![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
feralphoenixcrossposted from tungle for accessibility purposes! you can reblog the original version from here!
CONTENT WARNINGS FOR TONIGHT’S PROGRAM: This essay discusses colonialism and genocide both in real life and the fictional depictions in Hollow Knight, as well as racism in the zombie horror genre and in fandom.
ALSO: if youre from a christian cultural upbringing (whether currently practicing, agnostic/secular, or atheist now), understand that some of what i’m discussing here may challenge you. if thinking thru the implications of this particular part of hollow knight worldbuilding/lore is distressing for you, PLEASE only approach this essay when youre in a safe mindset & open to listening, and ask the help of a therapist or anti-racism teacher/mentor to help you process your thoughts & feelings. just like keep in mind that youre listening to an ethnoreligiously marginalized person and please be respectful here or wherever else youre discussing this dang essay
SONGS OF RESISTANCE: THE VIEW MYLA GRANTS US OF HALLOWNEST’S MOTHS
In this house we are all love Myla.
Well, in all fairness, there are probably plenty of Hollow Knight fans who aren’t interested in her character, since which fictional characters one attaches to is always a matter of personal preference. But she’s still well-loved for a minor NPC and inspires a high level of devotion in her fans. There’s nothing that whips folks into a frenzy like a cute character you can’t do anything to help, and unlike some other characters in Hollow Knight Myla’s fate leaves no room for ambiguity. Once you pick up the Crystal Heart you’re left with only two choices: Avoid her, or kill her.
A lot of Hollow Knight’s world is designed to make you care about it so that it will hurt more when Ghost’s violent skillset proves too limited to save something or someone. The consequences of Hallownest’s founding and policies have directly or indirectly caused a great deal of damage to everything, and chief among those consequences with massive damage and a wide splash range is the Infection. Much has been said elsewhere by other people about Hollow Knight’s predominating mood being a struggle against futility, with Ghost arriving at the eleventh hour and every new tragedy designed to make the player more desperate to find something actionable, only finding out by trial and error what’s beyond your personal ability to save.
Myla, in that sense, is a typical example of that worldbuilding. She’s a particular kind of stock character in the zombie horror genre, the innocent who falls victim to the plague and cannot be saved, wrenching audience hearts and demonstrating the stakes.
But Hollow Knight plays with the trappings of zombie horror in a very unusual way, one I find thematically fascinating.
( to you who love to cry about myla and/or the moth tribe i say: pspspspspsps )
CONTENT WARNINGS FOR TONIGHT’S PROGRAM: This essay discusses colonialism and genocide both in real life and the fictional depictions in Hollow Knight, as well as racism in the zombie horror genre and in fandom.
ALSO: if youre from a christian cultural upbringing (whether currently practicing, agnostic/secular, or atheist now), understand that some of what i’m discussing here may challenge you. if thinking thru the implications of this particular part of hollow knight worldbuilding/lore is distressing for you, PLEASE only approach this essay when youre in a safe mindset & open to listening, and ask the help of a therapist or anti-racism teacher/mentor to help you process your thoughts & feelings. just like keep in mind that youre listening to an ethnoreligiously marginalized person and please be respectful here or wherever else youre discussing this dang essay
SONGS OF RESISTANCE: THE VIEW MYLA GRANTS US OF HALLOWNEST’S MOTHS
In this house we are all love Myla.
Well, in all fairness, there are probably plenty of Hollow Knight fans who aren’t interested in her character, since which fictional characters one attaches to is always a matter of personal preference. But she’s still well-loved for a minor NPC and inspires a high level of devotion in her fans. There’s nothing that whips folks into a frenzy like a cute character you can’t do anything to help, and unlike some other characters in Hollow Knight Myla’s fate leaves no room for ambiguity. Once you pick up the Crystal Heart you’re left with only two choices: Avoid her, or kill her.
A lot of Hollow Knight’s world is designed to make you care about it so that it will hurt more when Ghost’s violent skillset proves too limited to save something or someone. The consequences of Hallownest’s founding and policies have directly or indirectly caused a great deal of damage to everything, and chief among those consequences with massive damage and a wide splash range is the Infection. Much has been said elsewhere by other people about Hollow Knight’s predominating mood being a struggle against futility, with Ghost arriving at the eleventh hour and every new tragedy designed to make the player more desperate to find something actionable, only finding out by trial and error what’s beyond your personal ability to save.
Myla, in that sense, is a typical example of that worldbuilding. She’s a particular kind of stock character in the zombie horror genre, the innocent who falls victim to the plague and cannot be saved, wrenching audience hearts and demonstrating the stakes.
But Hollow Knight plays with the trappings of zombie horror in a very unusual way, one I find thematically fascinating.
( to you who love to cry about myla and/or the moth tribe i say: pspspspspsps )
